This paper reflects on and challenges existing paradigms around movement and mobilisation in and with the city. This focus is provoked by a community arts project called ‘Flat Out’, in which the researcher collaborated with the Drum Intercultural Arts Centre and Birmingham Royal Ballet, on a dance project with members of the community in the Lozells and Newtown areas of the city.

Combining insights from critical studies on humanitarianism and scholarly work emphasising everyday practices, this study examines Turkish policing of human mobility at European Union borders in two border cities: Edirne and İzmir.

Reflecting on a study of children’s outdoor play in a ‘white, working class estate’ in east London, this paper argues that social-material processes that are characteristically massy, indivisible, unseen, fluid and noxious have, problematically, remained hidden-in-plain-sight within multidisciplinary research with children and young people.

This paper draws on an affirmative biopolitical framework to analyze the governing of young lives in education and social spaces in Cusco, Peru.

This paper explores the ways in which genealogical, ancestral and wider forms of relatedness are produced through human remains. It does so through focusing on the case of the controversial display of the remains of Charles Byrne (1761–83), commonly known as ‘The Irish Giant’ in the Hunterian Museum in London.

This paper examines the co-production of both knowledge and ignorance with regard to the city’s water, showing how their entanglement serves to powerfully shape both urban biopolitics and diffuse modalities of state power.

This paper examines an anti-homeless visual campaign which appeared in New York City in the summer of 2015, in the midst of a resurgence of public concern over the visibility of homeless New Yorkers.

This paper explores the emerging role of Big Data in environmental governance. We focus on the case of salmon aquaculture management from 2011 to 2017 in Macquarie Harbour, Australia, and compare this with the foundational case that inspired the development of the concept of ‘translation’ in actor-network theory, that of scallop domestication in St Brieuc Bay, France, in the 1970s.