At War with Women by Jennifer Greenburg

Introduction by
Lindsey Dillon
Published
June 10, 2024
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Greenburg’s beautifully written narratives reveal the ways in which military personnel differentially embrace or resist counterinsurgency programs. Her rich analysis offers readers a detailed overview of gendered military operations, and like all exceptional research, this book moves the reader to reflect and ask new questions.

Jennifer Greenburg’s compelling and meticulously researched ethnography of post 9/11 US militarism details the military’s turn to development and humanitarianism as a weapon of counterinsurgency. Counterinsurgency seeks to “win hearts and minds;” as such, the population, and in particular, the household (and Afghan women within the household) emerged as central “sites of military conquest.” At War with Women shows how US female soldiers, with their presumed feminine abilities to soothe, calm, and relate to people (and in the process, gather military intelligence), became central to this counterinsurgency strategy, even as female soldiers were marginalized within military institutions. Moreover, Greenburg shows how attempts to retrain soldiers in what one US Army General called “armed social work” drew on colonial histories, such as the US occupation of Haiti between 1915-1934 and the US War in Vietnam, as models of successful counterinsurgency programs.

In this book forum, four notable scholars—geographers who study the nexus of geopolitics, war, security, migration, and gender—provide critical analyses of At War with Women, attesting to the book’s theoretical and political rigor and import. Lisa Bhungalia focuses on Greenburg’s argument that female soldiers’ carework is not merely a buffer against military violence, but central to it. Scholars have previously distinguished between “kinetic” (physical) and “non-kinetic” (cultural or psychological) military strategies, with non-kinetic strategies theorized as window-dressings that conceal or provide distance from an underlying violence. One of the theoretical strengths of Greenburg’s book, Bhungalia writes, is to provide a “critical corrective for how we conceive of violence” by arguing that female soldiers’ carework is constitutive of violence—the intelligence gathered over cups of tea in Afghan homes, for example, provide intelligence for subsequent bombing raids.

Emily Gilbert also weighs in on Greenburg’s theory of violence, although she raises questions about what it means to call non-kinetic counterinsurgency tactics “violence,” pointing out that “PowerPoints are not the same as clusterbombs.” Gilbert ultimately asks for more analytical clarity on the subject with the aim of better theorizing responsibility and accountability for violence. Gilbert concludes that Greenburg’s books is useful toward a larger abolitionist goal of ending war.

Jennifer Fluri focuses in on one of Greenburg’s main theoretical contributions, the concept of a new imperial feminism that emerged in the context of post-9/11 counterinsurgency strategies. A new military femininity—and the gender essentialisms and racial-civilizational geographies it drew upon—simultaneously constructed a “liberated” western woman (in the guise of the US female soldier) as a contrast to an oppressed Afghan female “other” (who would be liberated by the US military). All the while, US female soldiers were subject to sexual harassment and misogyny within the military itself. Women also struggled to obtain particular benefits otherwise extended to their male colleagues from the Veteran’s Administration (VA) after their deployment—even though Female Engagement Teams (FETs) worked in combat zones—because women were technically banned from ground combat until 2013.

Jenna Loyd rounds out this forum with an essay that situates At War with Women within post-9/11 scholarly debates on imperialism and capitalism, highlighting Greenburg’s innovative and deeply researched contributions to these debates. She also reflects on the importance on the book’s conjunctural analysis, writing that Greenburg has done a “feminist conjunctural analysis of the imperial present.”

In her response, Jennifer Greenburg makes a case for the book’s relevance in unpacking what she calls the “long shadow of the war on terror” as well as disrupting the “status quo of permanent war”—most acutely in the current, genocidal war in Gaza, supported by US aid. The book presents a rigorous model of how scholars might develop counterhistories and counterclaims to contemporary US military and security discourses, toward the larger goal, as Gilbert puts it, of abolishing war.

Lindsey Dillon is Assistant Professor of Sociology at University of California, Santa Cruz and the author of Toxic City: Redevelopment and Environmental Justice in San Francisco (UC Press, 2024).

essays in this forum

Humanitarianism as War-Making

With rich ethnographic detail, Greenburg shows that war-making happens along a long chain of interlinked relations, actors, and geographies; so too, then, do points for the disruption of the relations that enable and sustain war also exist.

By

Lisa Bhungalia

The New Imperial Feminism

This is an impressive and exceptionally well written book, which analyzes the weaponization of gender as part of the U.S. war machine during the so-called “global war on terror.”

By

Jennifer L. Fluri

Abolish War

At War with Women both illustrates how servicewomen were enrolled, often willingly and with excitement, in a “new imperial feminism,” while also pointing to the dangers of these new formations. The book thus provides a valuable and deeply grounded contribution to our understanding of women at war.

By

Emily Gilbert

A Feminist Conjunctural Analysis of the Imperial Present

At War with Women should be read as a feminist conjunctural analysis of the imperial present. Greenburg offers tools for understanding how war works through the reworking of categories like economy and society that remain hegemonically understood as not within the purview of the military.

By

Jenna Loyd

How to End Endless War?

How can geographical thought help to disrupt the status quo of permanent war? This generous review forum raises this and many other critical questions for the present moment of danger.

By

Jennifer Greenburg

At War with Women by Jennifer Greenburg

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cholars and practitioners of urban planning need to rethink the field’s futures at this important historical juncture: some might call it a moment of truth when there is little left to hide. The COVID-19 pandemic exposed many cracks, contradictions, and inequalities that have always existed but are now more visible. This also includes the global vaccine apartheid that is ongoing as I write these words. Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

What’s a Rich Text element?

Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

  • Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed.
  • Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real.
  • They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining.
  • I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

What’s a Rich Text element?

Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

  1. Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed.
  2. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real.
  3. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

What’s a Rich Text element?

Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

What’s a Rich Text element?

Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.

What’s a Rich Text element?

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Jennifer Greenburg’s compelling and meticulously researched ethnography of post 9/11 US militarism details the military’s turn to development and humanitarianism as a weapon of counterinsurgency. Counterinsurgency seeks to “win hearts and minds;” as such, the population, and in particular, the household (and Afghan women within the household) emerged as central “sites of military conquest.” At War with Women shows how US female soldiers, with their presumed feminine abilities to soothe, calm, and relate to people (and in the process, gather military intelligence), became central to this counterinsurgency strategy, even as female soldiers were marginalized within military institutions. Moreover, Greenburg shows how attempts to retrain soldiers in what one US Army General called “armed social work” drew on colonial histories, such as the US occupation of Haiti between 1915-1934 and the US War in Vietnam, as models of successful counterinsurgency programs.

In this book forum, four notable scholars—geographers who study the nexus of geopolitics, war, security, migration, and gender—provide critical analyses of At War with Women, attesting to the book’s theoretical and political rigor and import. Lisa Bhungalia focuses on Greenburg’s argument that female soldiers’ carework is not merely a buffer against military violence, but central to it. Scholars have previously distinguished between “kinetic” (physical) and “non-kinetic” (cultural or psychological) military strategies, with non-kinetic strategies theorized as window-dressings that conceal or provide distance from an underlying violence. One of the theoretical strengths of Greenburg’s book, Bhungalia writes, is to provide a “critical corrective for how we conceive of violence” by arguing that female soldiers’ carework is constitutive of violence—the intelligence gathered over cups of tea in Afghan homes, for example, provide intelligence for subsequent bombing raids.

Emily Gilbert also weighs in on Greenburg’s theory of violence, although she raises questions about what it means to call non-kinetic counterinsurgency tactics “violence,” pointing out that “PowerPoints are not the same as clusterbombs.” Gilbert ultimately asks for more analytical clarity on the subject with the aim of better theorizing responsibility and accountability for violence. Gilbert concludes that Greenburg’s books is useful toward a larger abolitionist goal of ending war.

Jennifer Fluri focuses in on one of Greenburg’s main theoretical contributions, the concept of a new imperial feminism that emerged in the context of post-9/11 counterinsurgency strategies. A new military femininity—and the gender essentialisms and racial-civilizational geographies it drew upon—simultaneously constructed a “liberated” western woman (in the guise of the US female soldier) as a contrast to an oppressed Afghan female “other” (who would be liberated by the US military). All the while, US female soldiers were subject to sexual harassment and misogyny within the military itself. Women also struggled to obtain particular benefits otherwise extended to their male colleagues from the Veteran’s Administration (VA) after their deployment—even though Female Engagement Teams (FETs) worked in combat zones—because women were technically banned from ground combat until 2013.

Jenna Loyd rounds out this forum with an essay that situates At War with Women within post-9/11 scholarly debates on imperialism and capitalism, highlighting Greenburg’s innovative and deeply researched contributions to these debates. She also reflects on the importance on the book’s conjunctural analysis, writing that Greenburg has done a “feminist conjunctural analysis of the imperial present.”

In her response, Jennifer Greenburg makes a case for the book’s relevance in unpacking what she calls the “long shadow of the war on terror” as well as disrupting the “status quo of permanent war”—most acutely in the current, genocidal war in Gaza, supported by US aid. The book presents a rigorous model of how scholars might develop counterhistories and counterclaims to contemporary US military and security discourses, toward the larger goal, as Gilbert puts it, of abolishing war.

Lindsey Dillon is Assistant Professor of Sociology at University of California, Santa Cruz and the author of Toxic City: Redevelopment and Environmental Justice in San Francisco (UC Press, 2024).