A curation of articles, essays, book reviews and interviews on critical geographical concerns.
Chronicles past, present, and potential impacts of technoscientific development on the production of space. Provides critical looks into how scientific disciplines and industries influence how we analyze, categorize, experience, interpret, navigate, and represent that which we call space.
In Barandiarán's groundbreaking book, one of the questions she grapples with is: what are the criteria that a state should use to decide in favor of or against proposed natural resources infrastructure projects? Because infrastructure developments have uneven impacts across the social and physical terrains of cities and nations, they are frequently controversial, producing political liabilities and enemies as often as they reinforce or engender political alliances.
Whilst the artist behind the engraving above is unknown, the image first appeared in Camille Flammarion’s L'atmosphère: météorologie populaire (1888). It is evocative, depicting a man, on his knees, reaching through the outer limits of Earth’s boundaries toward the mysterious, markedly different space beyond.
Building on ethnography, piloting experiments, interviews, and scrutiny of public blogs and scientific texts, this article documents two cases of drone oceanography, interrogates the multispecies intimacies they forge and considers what scientists return to marine animals in exchange for their biological data.
Contemporary practices of sex and intimacy are increasingly digitally mediated. In this paper, we identify two distinctly spatial effects of these mediations.
This paper examines the infrastructure of marine spatial planning via two ocean data portals recently created to support marine spatial planning on the East Coast of the United States. Applying theories of ontological politics, critical cartography, and a critical conceptualization of “care,” we examine portal performances in order to link their organization and imaging practices with the ideological and ontological work these infrastructures do, particularly in relation to environmental and human community actors.
This paper explores the ways in which genealogical, ancestral and wider forms of relatedness are produced through human remains. It does so through focusing on the case of the controversial display of the remains of Charles Byrne (1761–83), commonly known as ‘The Irish Giant’ in the Hunterian Museum in London.
Harnessing textual analysis and an interview, the paper unpacks the protocols established to organise information sharing and explores how such protocols interweave an assemblage of technologies to share information as emergencies unfold.