In Brazil’s volatile and multifaceted political conjuncture – which began with a crisis of the PT project in the early 2010s, moved through the center-right’s shady aspirations to power and culminated in the election of an openly anti-democratic president (see Part I) – territorial struggles have played a key role.

First deployed in West Queensland, Australia, Alphabet’s (formerly Google) Project Loon is flying balloons—essentially elevated cell phone towers—over Indonesia to provide internet to those who do not have it or cannot afford it. The Indonesian government is working with Alphabet as well as funding the start-up company Helion to make Indonesia a world leader in the use of balloons to deliver the internet.

In 2016, Japan’s Ministry of Foreign Affairs launched a visual campaign about its disputed borders. A poster, entitled “Do you know the shape of Japan?” [日本のカタチ知っていますか], highlights three points of tension—the Northern Territories, Takeshima, and Senkaku Islands, disputed with Russia, Korea, and China respectively.

Writing on the heels of the First World War and at the advent of the Irish War of Independence, William Butler Yeats used the concept of the gyre as an unstoppable, terrifying dynamic force. A gyre, in his poem, destabilizes the relation between human and nonhuman others, beginning as an aerial vortex and expanding to an oceanic “blood-dimmed tide.”

The perceived color of the sky is determined by three interrelated factors: sunlight composed of many different wavelengths, molecules in the earth’s atmosphere that scatter light, and the sensitivity of the human eye. Conventional wisdom holds that the characteristics of sunlight and the atmosphere are an immutable fact of nature. However, China’s government has engaged in a campaign that seeks to control local meteorological conditions to produce blue skies on command, a phenomenon referred to here as “blueskying.”

In the early morning of 5 September 1962 in Manitowoc, Wisconsin, two police officers on their routine patrol discovered a 20-pound piece of metal buried three inches deep into the asphalt of 8th Street. Though they initially ignored what they took to be a metal ingot from a local plant, radio news reports of the disintegration of the Soviet spacecraft Sputnik IV over the United States made them reconsider the origin of the object.

Whilst the artist behind the engraving above is unknown, the image first appeared in Camille Flammarion’s L'atmosphère: météorologie populaire (1888). It is evocative, depicting a man, on his knees, reaching through the outer limits of Earth’s boundaries toward the mysterious, markedly different space beyond.

On July 25th, 2017, a Chinese “incursion” into a Himalayan pasture land called Barahoti was widely reported by the Indian media.[1] Coming in the wake of a tense Himalayan border fracas to the east of Barahoti in a place called Doklam that is located at the tri-junction of India, China, and Bhutan, the claims of yet another territorial breach provoked an uproar in India’s increasingly hyper-nationalistic news media.

From late 2015 through early 2016, a new vector-borne epidemic swept across the Americas, the Pacific, and much of Southeast Asia, bringing new attention to questions of connection across different spaces, species, and sociopolitical orders. Like both dengue and West Nile, Zika virus is passed from person to person by mosquitoes, primarily Aedes aegypti.

People in Nicaragua with a form of progressive renal failure called chronic kidney disease of non-traditional causes (CKDnt) talk in volumes about their condition. I don’t mean that they go on and on about their aches and pains. Most of the thousands of CKDnt patients in Nicaragua were sugarcane plantation workers until they got sick.