A curation of articles, essays, book reviews and interviews on critical geographical concerns.
This article is an attempt at reading the city through what gets extended and/or suspended in it in a time of an interruption, or a glitch. It does this while thinking about Cairo's curfew during the summer of 2020. I focus on this short pause that disrupted what is perceived to be regular urban life in a place like Cairo. Centering a collaboration with the Egyptian visual artist Azza Ezzat, we read some snapshots of this seemingly minor interruption through three ordinary objects that inhabit the city’s skyline: kites, billboards, and bridges. Through these three objects that suspend at the interstices of a skyline, I trace suspensions and extensions of infrastructure, broadly defined. My contention is that the glitch of the curfew helps to make apparent ongoing processes and infrastructures that keep a post-revolutionary Cairo going (for better or for worse). I propose that the material and affective affordance of the glitch provide a lens that disinvests from the logics of exception and states of emergency that have dominated research on the country and even on the city.
Though not an exhaustive list, these are many of the main areas we cover.