A curation of articles, essays, book reviews and interviews on critical geographical concerns.
Foregrounds the constitutive role that various forms of cultural expression play in shaping the relationship between the social and the spatial. Provides a critical platform for investigating the nature of power, difference and oppression – how they are imagined and performed, opposed and subverted.
This book, appropriately enough, offers a linguistic challenge. Which preposition is correct: is this a book on, by, for, or toward Gunnar Olsson? Is it amidst, between or outside him? As these most spatial of relational words suggest, there are a variety of ways of conceiving of the work of Gunnar Olsson, but no single way of summing it up. As we shall see, prepositions will reappear in his work.
"Geografías de lo imaginario" can thus be claimed to be an expression of this ongoing collective effort to provide a large Spanish-speaking audience with a general framework for making sense of contemporary changes in human geography. Contextualizing such issues within different European academic traditions and trying to put them into dialogue is not an easy task at all. Lindón and Hiernaux must be commended for having somehow helped bridge the gap between these sometimes isolated realms and streams of geographic research.
This collection discusses the well-known epistemological ‘turns’ that the discipline has undergone in the last decades, yet from a South American and European perspective. Featuring some of the scholars who had already contributed to the aforementioned volume, the collection provides an updated mapping of the rhetorical, methodological and conceptual shifts that originated in other social sciences and influenced new geographical approaches.
The focus of Sean Roberts’s excellent "Printing a Mediterranean World" is a single Italian book, a poetic re-rendering of Ptolemy’s "Geography", published in 1482 by the Florentine humanist Francesco Berlinghieri. Roberts is aware that Berlinghieri’s book has normally been framed as an oddity of no great significance. Beautiful, yes, but of dubious worth both as a print artefact and a geographical description.
In this paper, I develop a minor theory that blurs boundaries between prefigurative direct action and symbolic performance to reconsider strategies for resistance and world-building.