The driving question of our exploration with this special issue — and of the workshops that preceded and the Lab that will follow it — is around the propositions of the liminal urban body, being that which is simultaneously uttered and atmospheric, shouted and whistled, disruptive and repeated.

‘Depotentiation’, as I employ the term, indicates the diminishment of imminent capacities, affects and potentialities. I propose this formulation to both complement and critique Harvey’s dominant notion of accumulation by dispossession as the commodification of the urban commons and to contribute to conceptual developments on the stratified and affective dimensions of eviction.

Recent debates in urban geography and anthropology have urged a rethinking of ‘marginal’ groups, viewing them not only as intimately connected to the state and its power, but also as offering a lens into alternate modes of dwelling, endurance and political change. We reflect upon the conceptual possibilities of such forms of endurance by examining how those residing in urban margins utilise, enable and inhabit connections to centres of power when faced with dispossession.

This article tries to look beyond what I call the spatial forgeries of racial capitalism in early 20th century Durban, South Africa, a set of renditions of the ocean and the city, to make sense of quite a surprising and relatively unremarked set of events. I trace three moves through which Indian indentured labour was ‘shoaled’ on South Africa’s racial shores, the way mixed Black populations in the urban periphery and interstices ‘built’ marginal and interstitial infrastructure to support their communal survival, and the way they literally ‘rooted’ themselves in place in ways that make Durban distinctive as an 'Indian' city on African shores, in partial complicity with a deepening landscape of racial segregation.

Drawing upon art installations in Brooklyn, NY, White Shoes (2012–2016), and Oakland, CA, House/Full of BlackWomen (2015–present), we find that in both installations, Black women artists perform hauntings, threading geographies of race, sex, and speculation across past and present. We observe how these installations operate through spectacle, embodiment, and temporal disjuncture, illuminating how Black life and labor have been central to the construction of property and urban space in the United States.

This article gives ethnographic form to Fanon’s warning that in the colonial world, “zombies are more terrifying than settlers,” by analyzing how racial mythologies produce spatial classifications of Black urban communities as unruly places and how Black individuals challenge their wretched condition by embracing a “program of complete disorder.” To do so, the article analyzes the short(ened) life of Paco, a young Black man under house arrest whose retaliatory violence against, and territorial dispute with, the police is an entry point for exploring resistance to urban coloniality in Santiago de Cali/Colombia.

This paper explores how water materializes and mediates uneven landscapes of livability, as well as new modes of living in common among those excluded from the urban commons. I introduce the concepts of “bluelining” and “blues infrastructures” in order to think through the contested assemblages of water, race, and space at the margins of urban life.

This article engages with the notion of ‘break-down’ as a way of going beyond claims to recover the discarded or practice repair. It experiments with ethnographic cross-pollination, setting vignettes from seemingly disparate field-sites alongside one another, to meditate on singular unfinished moments that together reflect wider dynamics of invisibility, negation, stigma and suspension at the urban interstices.

In this essay, I discuss the thresholds that constitute the liminality of the vitality of the urban poor in Metro Manila, as well as the significance of that vitality for another understanding of our global, urban mode of life.

Utilizing Fanon’s theories of psychic, social and embodied processes of racialization and racism, this article examines Toronto’s gay village as a site of queer settler multiculturalism and its impacts on Black and Indigenous lesbian, gay, bisexual, transgender, queer, Two-Spirit and additional (LGBTQ2+) youth experiencing homelessness.