This paper interrogates processes of everyday urban diversification by challenging dominant narratives of “diversity” and “integration”.

Contemporary practices of sex and intimacy are increasingly digitally mediated. In this paper, we identify two distinctly spatial effects of these mediations.

This paper develops a novel approach to what we call ‘participation as assemblage’ by drawing upon Félix Guattari’s foundational work on assemblage theory. We develop and ground our concerns by taking the reader through the details of a participatory development case study that we have been involved in from the Caribbean since the 1990s.

We present an analysis of Tlingipino Bingo, which is the latest iteration of our on-going experiment to work with performance as a means of translating and transforming scholarly work to generate more informed and nuanced public debate about migrant labour.

This article proposes a ‘topolographical’ approach – a combined heuristic drawing from political topography and topology – to comprehend more fully the transformations in the political geographies of large-scale infrastructures.

Music can enrich geographical efforts to understand ideology as a lived experience. This paper explores the history of whale music – instrumental music that samples or thematizes whale sound.

This paper is an attempt to explicate a peculiar logic of government Israeli state apparatuses use to control the Palestinian population and colonize the West Bank; namely, the one of slowness, delay and waiting.

The ‘peace-walls’ of Belfast represent a widely acknowledged architectural legacy of the Troubles, the period between 1969 and 1994 when sectarian conflict in Northern Ireland was most extreme. This paper reveals a further crucial but unacknowledged architectural legacy.