This paper seeks to offer a new perspective on the interrelated questions of globalized capitalism and anti-Blackness.

This article responds to both ongoing urban practices and strands of urban theory by arguing for a (re-)turn to the everyday as a means of thinking about antagonism and political possibility.

Drawing on Lefebvrian notions of diversion and appropriation, I argue that the concepts of contingent and makeshift sacred spaces bring more nuanced and complex understandings of the intertwining of sacrality and profanity in spatial formations. Discussion is grounded in the case study of Muslim worshippers’ sacred spaces in rural western Wales; their relatively small demographic profile means that there is a reliance on short-term arrangements in the absence of long-term, privately owned and controlled sacred spaces.

I consider current reuse debates from a subcultural perspective, of inner-urban living in the late 1970s and 1980s. With the assistance of autoethnography, I delve into this urban subculture, known for its reliance on Do-It-Yourself.

This paper considers how notions of beauty and performances at pageants transform as they move across different colonial times and spaces. It examines how gender, racial, and sexual subjectivities take shape among cisgender Filipina women who participate and organize community-based pageants on the traditional and ancestral territories of the Musqueam, Skxwú7mesh, and Tsleil-Waututh peoples (Vancouver, Canada).

In this paper, I examine the processes through which movements emerge and are rendered perceptible or imperceptible, building upon the writings of geographers, mobility scholars and philosophers who have sought to overcome or efface the binary of mobility/stasis without flattening differences or overlooking questions of ‘the political’.

Harnessing textual analysis and an interview, the paper unpacks the protocols established to organise information sharing and explores how such protocols interweave an assemblage of technologies to share information as emergencies unfold.

Drawing on semi-structured walking interviews with 24 residents of a new coastal housing development in southern Sydney, Australia, the paper examines how coastal conditions and elements accelerate material decay, inciting and directing everyday homemaking practices: both proactive, in material selection, and reactive, in cleaning, repairing, maintaining, and replacing.

Drawing from multisensory visual ethnography, this paper explores the perspective of ‘tactile empathy’ through photographic/video recordings based on the matching of seen and experienced touch described by neuroscientists.